When examining secondary school classroom material in the United States, you can usually find:
Very little changes if you pursue higher education. Class discussions push theories such as the one that the grid design for New York City's streets goes back to Africa, or that German culture was responsible for the Holocaust because of what Richard Wagner and Martin Luther said at some time. Each lesson pushes you to appreciate things like Africa and grow more ashamed of, and disinterested in, European-established culture.
Social entertainment further enforces this binary. Modern mainstream rock, despite being a predominantly white venue, is overcrowded with artists like Marilyn Manson, Rage Against the Machine, 311, Green Day and Anti-flag, all which critique "white" culture. In everyday life, "that's so white" has become an insult, as white culture is denigrated for either being "sterile", "wasp-y" or "old-fashioned" on the one hand or, regarding lower class whites, "white trash" and "backwards" on the other. In fact, lower class whites are the only group that is universally made fun of on a routine basis - on television, music, movies and other media. Nobody likes them, except those who defiantly embrace the identity. There have been attempts to reform this group within their own genre but, for the most part, entertainment and media focus on selling the image that everything black and latino is "unique" and "cool", from twerking, ass worship, hip hop jargon and mannerisms to rims and chains, reggae, dreads, and so on.
When not pressuring whites to hate their own or adopt the cultural behaviors of others, social entertainment pushes universalism and multiculturalism. Shows and movies that have multicultural casts do typically go in this direction, as do consumer culture, fashion and even sports. All funnel identity, emotion and pride into something that can have a universal appeal. Another example is LGBT culture, which lacks ethnic character and is based on expressing pride in sex or relationships with someone of the same gender. This sets the bar pretty low in terms of a mass culture. Similarly, television, music, movies and video games reduce each individual to the same basic level: a "channel surfer", a "music fan", a "watcher" or a "button-pusher" in front of a screen. Porn has a similar, reductive effect.
- lessons conveying the idea that people of European descent murdered the Jews and enslaved Blacks. (Forget that very few served in the SS Einsatzgruppen and only 1.6% of the population sat atop a slave-owning plantation in the early United States. Forget that Whites themselves were once slaves, or that Blacks enslaved Blacks, that is not in the curriculum).
- a celebration of the contributions that non-whites have made to Western society, including fireworks and peanut products.
- lessons about MLK Jr., Anne Frank and Harriet Tubman, not to mention Kwanzaa, instead of praise for "dead white men" such as Christopher Columbus, George Washington, Davy Crockett or Teddy Roosevelt - the old mainstay of American education.
Very little changes if you pursue higher education. Class discussions push theories such as the one that the grid design for New York City's streets goes back to Africa, or that German culture was responsible for the Holocaust because of what Richard Wagner and Martin Luther said at some time. Each lesson pushes you to appreciate things like Africa and grow more ashamed of, and disinterested in, European-established culture.
Social entertainment further enforces this binary. Modern mainstream rock, despite being a predominantly white venue, is overcrowded with artists like Marilyn Manson, Rage Against the Machine, 311, Green Day and Anti-flag, all which critique "white" culture. In everyday life, "that's so white" has become an insult, as white culture is denigrated for either being "sterile", "wasp-y" or "old-fashioned" on the one hand or, regarding lower class whites, "white trash" and "backwards" on the other. In fact, lower class whites are the only group that is universally made fun of on a routine basis - on television, music, movies and other media. Nobody likes them, except those who defiantly embrace the identity. There have been attempts to reform this group within their own genre but, for the most part, entertainment and media focus on selling the image that everything black and latino is "unique" and "cool", from twerking, ass worship, hip hop jargon and mannerisms to rims and chains, reggae, dreads, and so on.
When not pressuring whites to hate their own or adopt the cultural behaviors of others, social entertainment pushes universalism and multiculturalism. Shows and movies that have multicultural casts do typically go in this direction, as do consumer culture, fashion and even sports. All funnel identity, emotion and pride into something that can have a universal appeal. Another example is LGBT culture, which lacks ethnic character and is based on expressing pride in sex or relationships with someone of the same gender. This sets the bar pretty low in terms of a mass culture. Similarly, television, music, movies and video games reduce each individual to the same basic level: a "channel surfer", a "music fan", a "watcher" or a "button-pusher" in front of a screen. Porn has a similar, reductive effect.
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"Coming together to celebrate identity": i.e. "identity" is what I do with my sexy parts because I am told this defines me. |
Why would the entertainment and media industry want this? Well, a product that appeals to a low "common denominator" of sorts catches the most potential consumers in its net. An appeal to base instincts, likewise, yields the best results in terms of attracting attention. Accordingly, the liberal freedoms of this country, once seen in connection with religious expression and free enterprise, have been used by companies like MTV in ways that challenge honor, traditions and morals to build a new identity. Incidentally, there was a time when positive behavior was actually reinforced through social entertainment, not degraded and challenged.
The globalists also celebrate the promotion of mass culture to build "one humanity." Sadly, if the above trends are any indication, we can tell what kind of person would be the result:
a universal, but-not-altogether-capable mass man.
With whites becoming less of what they were and having only an appreciation for others, age-old stereotypes about non-whites have fallen. But few other changes can be seen in a positive light. Worse, few know who we used to be or where we are headed because we have been silenced by political correctness. Political correctness is an unofficial social code that, based on the spirit of the age, determines what we feel we can and cannot say and what is promoted or remonstrated, whether in school, on television or in the media. We must break the silence though. We must prevent an absolute meltdown.
